12 Books Reading Challenge 2022

The Drowning Kind (Jennifer McMahon)

When Jax receives nine missed calls from her older sister, Lexie, she assumes that it’s just another one of her episodes. Manic and increasingly out of touch with reality, Lexie has pushed Jax away for over a year. But the next day, Lexie is dead: drowned in the pool at their grandmother’s estate. Jax learns that Lexie was researching the history of their family. And as she dives deeper into the research herself, she discovers that the land holds a far darker past than she could have ever imagined.

In 1929, thirty-seven-year-old newlywed Ethel Monroe hopes desperately for a baby. In an effort to distract her, her husband whisks her away on a trip to Vermont, where a natural spring is showcased by the newest and most modern hotel in the Northeast. Once there, Ethel learns that the water is rumored to grant wishes, never suspecting that the spring takes in equal measure to what it gives.

The Magic Toyshop (Angela Carter)

One night Melanie walks through the garden in her mother’s wedding dress. The next morning her world is shattered. Forced to leave the comfortable home of her childhood, she is sent to London to live with relatives she never met: Aunt Margaret, beautiful and speechless, and her brothers, Francie, whose graceful music belies his clumsy nature, and the volatile Finn, who kisses Melanie in the ruins of the pleasure garden. And brooding Uncle Philip loves only the life-sized wooden puppets he creates in his toyshops.

The classic gothic novel established Angela Carter as one of our most imaginative writers and augurs the themes of her later creative works.

The Inheritance of Orquídea Divina (Zoraida Córdova)

The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low or empty, or why their matriarch won’t ever leave their home in Four Rivers. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly. Instead, Orquídea is transformed, leaving them with more questions than answers.

Seven years later, her gifts have manifested in different ways for Marimar, Rey, and Tatinelly’s daughter, Rhiannon, granting them unexpected blessings. But soon, a hidden figure begins to tear through their family tree, picking them off one by one as it seeks to destroy Orquídea’s line. Determined to save what’s left of their family, the four descendants travel to Ecuador—to the place where Orquídea buried her secrets and broken promises and never looked back.

We Begin At The End (Chris Whitaker)

Walk has never left the coastal California town where he grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. Now, thirty years later, Vincent is being released.

Duchess is a thirteen-year-old self-proclaimed outlaw. Her mother, Star, grew up with Walk and Vincent. Star always burned bright, but recently that light has dimmed, leaving Duchess to parent not only her mother but her five-year-old brother. She’s just trying to survive and keep her family together.

When trouble arrives with Vincent King, Walk and Duchess find they will be unable to do anything but usher it in, arms wide closed.

Lobizona (Romina Garber)

Manuela Azul has been crammed into an existence that feels too small for her. As an undocumented immigrant who’s on the run from her father’s Argentine crime-family, Manu is confined to a small apartment and a small life in Miami, Florida. Until Manu’s protective bubble is shattered.

Her surrogate grandmother is attacked, lifelong lies are exposed, and her mother is arrested by ICE. Without a home, without answers, and finally without shackles, Manu investigates the only clue she has about her past–a mysterious “Z” emblem—which leads her to a secret world buried within our own. A world straight out of Argentine folklore, where the seventh consecutive daughter is born a bruja and the seventh consecutive son is a lobizón, a werewolf. A world where her unusual eyes allow her to belong.

As Meat Loves Salt (Maria McCann)

England, 1640s. Jacob Cullen is an educated manservant in a Royalist household, who has begun to develop a dangerous interest in god-fearing revolutionary pamphlets. He is on the brink of marriage to his virginal sweetheart, but is unsure of his emotional needs.

But Jacob is also afraid of being discovered as the murderer of a local boy and, as armed horsemen arrive on the very day of his wedding feast, it prompts a series of impetuous, temper-fuelled bad decisions: Jacob flees.

He proceeds to wreak havoc on the lives of others but mostly on his own fortunes — critically, as a friend, co-conspirator and lover of another man disaffected by the lurch from freedom to tyranny now apparent in Cromwell’s New Model Army. To step outside the law, outside the state, outside the established and natural order of things seems to supply the only prospect of happiness.

Sorrowland (Rivers Solomon)

Vern – seven months pregnant and desperate to escape the strict religious compound where she was raised – flees for the shelter of the woods. There, she gives birth to twins, and plans to raise them far from the influence of the outside world.

But even in the forest, Vern is a hunted woman. Forced to fight back against the community that refuses to let her go, she unleashes incredible brutality far beyond what a person should be capable of, her body wracked by inexplicable and uncanny changes.

To understand her metamorphosis and to protect her small family, Vern has to face the past, and more troublingly, the future – outside the woods.

Sadie (Courtney Summers)

Sadie hasn’t had an easy life. Growing up on her own, she’s been raising her sister Mattie in an isolated small town, trying her best to provide a normal life and keep their heads above water.

But when Mattie is found dead, Sadie’s entire world crumbles. After a somewhat botched police investigation, Sadie is determined to bring her sister’s killer to justice and hits the road following a few meagre clues to find him.

When West McCray―a radio personality working on a segment about small, forgotten towns in America―overhears Sadie’s story at a local gas station, he becomes obsessed with finding the missing girl. He starts his own podcast as he tracks Sadie’s journey, trying to figure out what happened, hoping to find her before it’s too late.

Dear Edward (Ann Napolitano)

One summer morning, twelve-year-old Edward Adler, his beloved older brother, his parents, and 183 other passengers board a flight in Newark headed for Los Angeles. Among them are a Wall Street wunderkind, an injured vet returning from Afghanistan, a septuagenarian business tycoon, and a free-spirited woman running away from her controlling husband. And then, tragically, the plane crashes. Edward is the sole survivor.

Edward’s story captures the attention of the nation, but he struggles to find a place for himself in a world without his family. He continues to feel that a piece of him has been left in the sky. But then he makes an unexpected discovery–one that will lead him to the answers of some of life’s most profound questions: When you’ve lost everything, how do find yourself? What does it mean not just to survive, but to truly live?

Gone To See The River Man (Kristiopher Triana)

Super fans. Groupies. Stalkers. These people will give anything for the idols they worship, be they rock stars, actors or authors. Or even serial killers.

Lori is just such a fanatic. Her obsession is with Edmund Cox, a man of sadistic cruelty who butchered more than twenty women. She’s gone so far as to forge a relationship with him, visiting him in prison and sending him letters on a regular basis. So when he gives her a task, she eagerly accepts it.

Edmund tells her she must go to his cabin in the woods of Killen and retrieve a key to deliver to a mysterious figure known only as The River Man. In her quest, she brings along her handicapped sister, and they journey through the deep, dark valley, beginning their trip upriver. The trip quickly becomes a surreal nightmare, one that digs up Lori’s personal demons, the ones she feels bonds her to Edmund.

The Son (Jo Nesbø)

Sonny Lofthus, in his early thirties, has been in prison for the last dozen years: serving time for crimes he didn’t commit. In exchange, he gets an uninterrupted supply of heroin—and the unexpected stream of fellow prisoners seeking out his uncanny abilities to soothe and absolve. Now Sonny is the center of a vortex of corruption: prison staff, police, lawyers —all of them focused on keeping him stoned and jailed, and all of them under the thumb of Oslo’s crime overlord, the Twin.

When Sonny learns some long-hidden truths about his father he makes a brilliant escape, and begins hunting down the people responsible for the hideous crimes he’s paid for. But he’s also being hunted, by the Twin, the cops, and the only person who knows the ultimate truth that Sonny is seeking. The question is, what will he do when they’ve cornered him?

The Long Way to a Small, Angry Planet (Becky Chambers)

Rosemary Harper doesn’t expect much when she joins the crew of the aging Wayfarer. While the patched-up ship has seen better days, it offers her a bed, a chance to explore the far-off corners of the galaxy, and most importantly, some distance from her past. She’s never met anyone remotely like the ship’s diverse crew, including Sissix, the exotic reptilian pilot, chatty engineers Kizzy and Jenks who keep the ship running, and Ashby, their noble captain.

Life aboard the Wayfarer is chaotic and crazy. It’s also about to get extremely dangerous when the crew is offered the job of a lifetime. Tunneling wormholes through space to a distant planet is definitely lucrative and will keep them comfortable for years. But risking her life wasn’t part of the plan. In the far reaches of deep space, the tiny Wayfarer crew will confront a host of unexpected mishaps and thrilling adventures that force them to depend on each other.